The project posits that spaces are external environments that interact with internal memories, and architecture acts as a transmitter and bearer of these memories. It draws a parallel to inherited memories and associative learning, where specific physical locations can be linked to emotional or psychological experiences. This suggests that architectural design can transmit a history of experiences.

The work also touches on how land ownership and usage historically symbolized wealth and power. It then contrasts this with modern societal measures of status, arguing that certain activities still reflect land usage as a symbol of privilege.

In essence, this work uses architecture not just as a physical structure, but as a medium to transmit memory, provoke emotional responses, and challenge societal norms regarding our relationship with other living creatures and the spaces we inhabit and designate.

The structure is depicted with a dynamic roof that lifts and falls, mimicking a “living breathing entity,” designed to create a sense of unease, disorientation, and vulnerability to elicit an emotional response from its visitors.

The example of golf courses in the Malmö area, consuming vast amounts of land equivalent to central Malmö, highlights a contemporary “hierarchy of spaces” where significant areas are dedicated to leisure while others are confined to extremely small spaces.

Early conceptual models in this project move the design from a philosophical to a concrete architectural proposition, enabling the exploration of form, space, emotion, and metaphor.